The turning point came during the New Year’s Eve countdown show—the biggest night in Japanese entertainment, the Kōhaku Uta Gassen of digital idols. Mochi was to perform a duet with a legendary j-pop star, Yuki Arisugawa, a woman in her thirties who had survived the industry’s brutal meat grinder by rebranding as a “producer” and speaking in carefully vague platitudes.
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